Latitude Zero is
another Japanese ‘tokusatsu’ Sci-Fi film, made by Toho, which features a hidden
undersea kingdom, an evil megalomaniac,
and futuristic submarines.
The film was filmed in Japan, but shot in English, with the
Asian actors mouthing their lines phonetically, and re-dubbed for the Japanese
market.
The film was produced
in 1969, and stars western actors, Joseph Cotten, Cesar Romero and Richard
Jaeckel, along with Asian actors, Akira Takarada, Masumi Okada and Akihiko
Hirata. Joseph Cotten’s wife, Patricia Medina also
starred as Lucretia, the lover of the evil, Dr Malic (played Cesar Romero)
It is written by Ted Sherdeman, who also wrote the 1954
monster ant film, Them!
The action starts when the crew of a bathysphere are caught
up in undersea seismic activity and after taking a battering, end up trapped in
the bathysphere after all being knocked unconscious.
However, they are rescued by a mysterious submarine. It is
revealed that the sub is named, ‘The Alpha’, and captained by a man called
Craig Mackenzie.(played by Joseph Cotton) It’s further revealed that ‘The Alpha’ was launched in 1805, and
that Mackenzie himself, is two hundred and three years old.
They begin a journey to Latitude
Zero, a secret kingdom set at that precise bearing, fifteen miles below the
southern Pacific Ocean. However before they reach their destination, they
encounter The Black Shark, an enemy submarine, ordered to
attack The Alpha by Dr Malik, another
superhuman who is two hundred and four years old, and lives on an uncharted atoll called Blood Island. Malik is opposed to Mackenzie and wants to
see the destruction of Latitude Zero.
The Alpha manages
to escape The Black Shark and enters
a huge underwater dome and the entrance to Latitude
Zero.
Latitude Zero is
revealed to be a utopian paradise, where life is ordered and no one ages. It
even has its own artificial sun.
Scientists and philosophers appear to make up most of the
population, and like Mackenzie, are ageless. Some are seen wearing the dated clothes
they wore when they first arrived at Latitude
Zero.
Project teams from Latitude
Zero are sent out to chose top
scientists from all over the world and spirit them away . They are, however not
prisoners, and can return to the surface whenever they wish, although things
are put in place in keep Latitude Zero
secret.
One such scientist and his daughter, on their way to Latitude Zero, are kidnapped by Malik’s
agents.
Now that we’ve had the film’s preamble explaining Latitude Zero and its purpose, this is
where the action really begins.
Mackenzie and his new found allies launch The Alpha and set off to rescue the kidnapped scientist and his
daughter from the diabolical, Dr Malik, who is busy threatening his prisoners
with grotesque medical experiments. To press his point he takes the brain out
of the she-Captain of The Black Shark, and pops it into the body of a
Lion/Griffin hybrid, just to prove how adept he is at being thoroughly nasty.
Actually, at this stage, I have to admit some parts of the
film do start to look a bit silly, as we are treated to monster costumes that
even at the time must have looked a bit daft. But things still move on at a
rollicking pace, with giant rats, jet packs, laser battles and a flying sub.
One of the problems is the film is full of unanswered
questions. Its clichéd depiction of a utopian society where everyone is terribly
nice to each other is a lovely idea but hardly realistic. Another question is just how did Mackenzie and Malik and all their chums acquire that mysterious
longevity and advanced medical technique? Come to that, how was Latitude Zero created in the first
place using 19th Century technology?
All in all, Latitude
Zero is a fun, fantastical, fantasy movie, as long as you don't ask too many questions , and ignore the two blokes dressed as bats!
Good to see interest in this wonderfully outre film. A couple of points...
ReplyDeleteTed Sherdeman's screenplay was based on his own series of radio plays for NBC in the States, which ran weekly from June 7-1941 through September 27, 1941. So, perhaps some of the explanations were already there, but were eliminated as the screenplay developed (the Alpha was originally the Omega in the radio play).
The Japanese actors in the film actually spoke their lines — some of them having to do so phonetically — but what you hear in the English language version are their real voices recorded live, not "dubbed" (although there may have been some post-production "looping"). And yes, for the Japanese version, the film was dubbed into the native language.
Keep up the fantastic work!
August Ragone
"Eiji Tsuburaya: Master of Monsters"
Hi August, and many thanks for the comment. I must say I've enjoyed dipping into the world of Japanese Sci-Fi.
DeleteIt did cross my mind that the play would contain more of an explanation for some of the questions I raised. I'm assuming it no longer exists. Do you know if there's a trans script, or maybe a book or paperback based on it?
I was speaking to another Japanese Sci-Fi film enthusiast, like yourself, William Schwartz about the original story, and he suggested that the Alpha (or Omega as you point out) would have started out as a sailing ship when it was originally launched in the 19th Century, but was gradually altered to the supersub we are familiar with in the story.