Thursday, 31 October 2024
The Ghastly Ones - A Very Strange CD
Sunday, 21 January 2024
IVY AND BANE WALKING IN THE RAIN
This year's resolution is doctor's orders. Get fitter! So with that in mind the Missus and me headed to picturesque Hebden Bridge in the Pennines for a country walk.
Here are a few snaps of beautiful Hebden Valley; light rain, sleet and ice came too.
Saturday, 13 January 2024
MY BLUE-GREEN ROSEDALE ORGAN
Monday, 23 October 2023
A-HA STATES
Saturday, 7 October 2023
HUMBER AND TRENTING
The Moonbase Missus and me have just got back from an overnight stay in our new fave town, Barton Upon Humber in North Lincolnshire. An hour away from Moonbase down the M62, its old and pretty enough to keep us both happy and enough charity shops and cafes to make a sound Saturday morning.
We also went to a Friday night gig, the main reason for going, to see one Nick Harper at the Ropery Hall.
Nick Harper is the son of folk rock legend Roy Harper, as in Hats off to .... by Led Zep. It can't have been easy forging a musical career in such a legendary shadow but Nick, who we only discovered last month, is enough of a songsmith and above all a guitar virtuoso to completely hold his own and being now 58 has done for decades.
Mind-blowingly original in both voice and guitar you can catch up with Nick Harper here. He's playing Birkenhead tonight!
Mr. Harper was ably supported by a fabulous warm-up act, Patrick Duff. Another fabulous singer-songwriter and guitarist, the small Barton crowd were definately blown away with his seasoned talent and incredible set of lungs! As a teenager he was the frontman of indie band Strangelove, compatriots of Britpop founders Suede and hailed as the next big thing before rock 'n' roll took its toll. You can read about Patrick's life here. We bought his biography for a friend.
After a decent kip overnight we hit Barton's church museum and shops this morning, fuelled by coffee and a Lincolnshire sausage butty.
St Peter's Church is a medieval structure now run as a museum by English Heritage. Full of preserved skeletons of dead residents, ample diseased bones, split skulls and burial artefacts from its hundreds of graves, its one of the most dug-up and researched places from the Middle Ages anywhere. Well worth a visit especially if you're a member of English Heritage, its a grounding pile with its many dark spaces like this, the bell tower.
The charity shops were reassuringly full of the living residents of Barton and proved bountiful too. Well at least I thought so. See what you think in the snap below.
The K-Tel 40 Supergreats double album, £1, is in near mint condition, a gift for a mate; the JLA novel collection I'd never seen before and in very good shape for £1 each too; the Dr. Who VHS tapes were a punt to be honest - being from the early 1990's they're not old enough for my own VHS collection but maybe of interest to a buyer on Ebay. £1 each, the double set £3.
There were lots more Dr. Who VHS tapes - should I have got them all? - and a huge collection of hardback books called the History of Dr. Who, each book sealed in plastic and unopened and probably a part-work. At £3 each they were too rich for my purse. What do you think?
I also snaffled this Dragon magazine from the hey-day of Kung Fu.
With the great Jimmy Wang Yu on the cover and also the centrefold, I so remember these mags and had them all as a youngster. I still have a quite a few now boxed up with my Inside Kung Fu pile in the attic. Did you have magazines like this as a kid?
Sunday, 13 November 2022
YOU GOTTA REACH DOWN TO LIFT THE CROWD UP!
After the glory of our childhood toys came the fizz and gleam of modern music. It did for me and I guess for many as the crazes of infancy gave way to the crazes of youth.
My first musical craze was the pop music around me when I was a listening kid in the late Sixties/ early Seventies : Slade, T. Rex, Suzie Quattro, Donny Osmond, the Partridge Family, the Sweet, Leo Sayer and so on.
All this good stuff eventually coalesced around David Bowie for me and I bought all of his albums including his early stuff on Images, did a turn as his Ziggy Stardust at the High School talent show and bought some of his fabulous singles. I saw Bowie live at Preston Guild Hall in the early Seventies and thought I'd died and gone to Heaven.
During this period I was also obsessed with Elton John's Goodbye Yellow Brick Road album and my sister introduced me to Lou Reed's magnificent Transformer, which excitingly had links to Bowie too.
As my hair grew longer in the mid-Seventies my tastes got heavier and Bowie and Lou gave way to hard rock and prog. Bouncing on my bedroom turntable now were LP's borrowed from my two Brothers' stereogram; Cream, Black Sabbath's Masters of Reality, John Mayall and the Bluesbreakers and the Bumpers/ Fill Your Head with Rock/Nice enough to Eat compilations. My Sister introduced me to the Yes Album and Wishbone Ash's eponymous first LP and Pilgrimage. Some bands she listened to sadly passed me by; James Gang, Caravan, Family, Three Dog Night and maybe Quintessence.
All of this good stuff for me eventually coalesced around Led Zeppelin, Rush, Lynyrd Skynyrd, Free, Jethro Tull, Uriah Heap and the heaviest of them all, Budgie, whom I saw live at Lancaster Uni around 1977.
Behind all the noise were some troubadours, especially Joni Mitchell and emphatically Neil Young. Again I have my sister Rene to thank for introducing me to his After the Goldrush and also to Van Morrison's phenomenal Astral Weeks and Veedon Fleece. Rene also played me Talking Heads.
In 1979/80 I co-formed two rock bands with my friend George [ and occasionally Keiron]. First it was a Blackpool prom busking duo called Alien Cage and then with two more friends, Boyley and Raff, a four-piece called Sirius, which gigged in a Preston pub called the Unicorn. Sadly we disbanded when my fellow band members went to Uni. I was 2 years older and without the band I left my home city too and lived on a bird reserve for a year. Turns out I'd left for good never going home again.
In the Eighties I was married with a young daughter. My old love of rock surfaced in a few bands I jammed with here and abroad and I always encouraged them to try classics like Free's Fire and Water and Tull's Locomotive Breath.
The Eighties' new wave and indie scenes largely passed me by. I wuz still a rocker really but friends did get me into the Smiths, Cocteau Twins and Teardrop Explodes among others. It was only much later that I came to appreciate indie, new wave and punk.
In 1990 a friend's 16 year old daughter came to live with us for a year to improve her English. She brought with her a bunch of cassettes, which she listened all the time to in her room. When she left, for some reason she left the cassettes behind.
13 years and a house move later in 2003, when I had my own man loft to fill with toys and listen to rock I rediscovered those cassettes, buried within the hundreds of tapes I had accumulated myself.
They were a revelation! I adored what was on them. Fresh, loud sounds which were clearly very rocky. Some of the tapes only had song names written on them, so I had no idea who was playing. Songs like Jeremy and Evenflow. Others had band names like Temple of the Dog and Mudhoney. I can still feel the excitement I felt when I first heard Temple of the Dog belt out 'You gotta reach down to lift the crowd up!'
I didn't know it at the time but I was listening to Grunge.
Grunge, like Punk, was a flash of lightning in a dull sky. Grunge's particular sky was Seattle in the late 80's/ early 90's. I was listening to mix tapes of LP's recorded from that time thirteen or fourteen years later! Grunge had already come and gone but I wasn't bothered. To me it as fresh as a daisy and despite being in my forties, once more I felt excited about music.
I listened to all the tapes incessantly and eventually worked out the bands: Soundgarden, Temple of the Dog, Mudhoney, Nirvana and the mighty Pearl Jam, whom I loved the most.
As it was now the age of the CD I bought the albums on the tapes, especially Pearl Jam. Eventually I packed up those old cassettes and returned them to that young student, now in her thirties!
Two decades later, now in my 60's, I'm still fascinated by Grunge. I'm not alone and last night there was a documentary on the telly to give us what we want, the story of it.
Although disappointingly non-chronological [I like origins and endings in order] it did remind me of the fuzz and wail of proper Seattle Grunge and the amazing local music scene it came from.
Green River, Malfunkshon, Mother Love Bone, Skin Yard, together with global superstars Nirvana, Soundgarden and Pearl Jam. They all knew each other and back in the late 80's/early 90's Seattle owned and loved them.
I wish I'd been there.
Have you had musical crazes readers?
Thursday, 23 June 2022
Mouldy Old Dough
Just found this on You Tube (no, I was not looking for it), a Top of the Pops appearance by the British group Lieutenant Pigeon, performing their big hit Mouldy Old Dough - a British No.1 in 1972. Very possibly the worst song of all time. I recall that in the 1970s it was on the radio all the time, and was later used in a New Zealand television commercial, although I can not recall what for - Lotto or a telephone company ?
Lieutenant Pigeon - Mouldy Old Dough • TopPop - YouTube
Paul Adams from New Zealand
Friday, 22 April 2022
SOME MUSICAL MEANDERINGS THIS FRIDAY NIGHT
A complete aside from all things toys as is my occasional want here are some recent observations of the musical persuasion.
Thick as a Brick by Jethro Tull. Now first off I'm a Tull fan and I adored certain LP's in the Seventies. Alas there just wasn't time to listen to all of Tull's prodigious output when I was a teenager and like many bands I have had to catch up with them later.
Thick as a Brick was one of those missing albums, omitted from my knowledge like a lost jigsaw piece. I did, I sat it out.
So, I have just listened to the whole thing on You Tuber. What can I say. I was sorely disappointed. Apart from the title track, which is classic Jethro, the rest is a mess. It sounded discordant and lacked the Tull sense of melody I found on Stand Up and Aqualung. Am I being thick?
Save a Prayer by Duran Duran. Being a greasy hippy rocker I was at sea when it came to the New Romantics at the time in the 80's. It seemed like glorified pop but over the decades all things punk and post-punk have grown on me enormously to the point where I'm now very nostalgic about most of it.
I recently heard Save a Prayer and thought, hmm, that opening two-note keyboard motif really reminds me of a sci-fi film melody I'm sure. Its so very John Carpenter. It's also very Terminatorish so I'll plump for that, John Williams' Big Arnie theme tune as my Save a Prayer soundalike. Why do I do this? Tunes just get stuck in my lobes and they absolutely will not stop!
Suffer Little Children by the Smiths. Or is it The Smiths. Probably. This is the song I think another song sounds like but that one's title evades me. With me so far? To be specific its the opening Johnny guitar jangle that I'm on about. There is another song by a later artists with the same opening riff I'm sure. I even said to the Missus 'Hey, Missus, Its The Smiths!" as we listened to Smooth Radio but Lo! it wasn't the Manc shoegazers at all. If only I could remember. Frankly Mister Shankly I'm losing it.
Wicked Game by Chris Isaacs. This hypnotic howl has crept into the nerve-bundle of the Moonbase before and I heard it again recently on the Newcastle Ferry. Its wistful tremelo tip-toed round the decks like a stowaway and brought to mind a musical mystery we once covered, the elusive "Haunted by Two Loves" I think it was called, from the 1997 TV Movie Nightscream. The singer was never revealed. Its VERY Chris Isaacs and Wicked Game immediately jumps to mind. The closest we got to was that the film's music was composed by one Garry Schyman. You can see the film listed here https://garryschyman.com/credits/ As it happens I am having great trouble finding the film to view online so I can't play the song. Even scarcer is the song itself. It doesn't exist online! Now what is going on there? I'm haunted by two songs! Ow-oooooo [Isaacs-style wailing].
That's it. Stylus lifted.
Thoughts?
Saturday, 4 December 2021
SAN FRANCISCO CABLE CAR MUSIC BOX
Friday, 29 October 2021
VINTAGE WHINES
I'm a sucker for a beautiful wail. Currently my two favourite wails, both female, are, one a rock song and two, a single based on a sci-fi movie.
So, the rock song is The Great Gig in the Sky by Pink Floyd. The main vocal is by Richard Wright but the wailing is by Clare Torry and is simply amazing. It always makes my neck hair stand on end. A flawless howl of sheer gorgeousness. She was paid just £30 for it originally.
The single based on a sci-fi film is Man in Black, the first of the movie franchise. The main vocal is by Will Smith but the real action is Coko's wonderful moaning. She sings the chorus and riffs around the song like a bird. Quite fabulous and its a pity she didn't get more time.
There are many more fantastic whines out there and I'm sure you have a favourite. Maybe the Diva in the Fifth Element? Something from the Cocteau Twins? Maybe some other?
Friday, 15 October 2021
Johnny Keating's Getaway [1963] set to Attack from Space Fight Scene [1965]
Saturday, 28 August 2021
POPS IN SPACE LP: THE JOHN WILLIAMS?
I picked this LP up in a charidee shop whilst on my hols, one I'd not seen before: Pops in Space.
Its by John Williams and the Boston Pops and was released by Philips in 1980. I assume its THE John Williams - is that him in the picture?
Here's the LP track listing:
Tuesday, 3 August 2021
COLLECTING POP SUB-GENRES: SOPHISTI-POP
Having always been a nerd I have always been interested in sub-divisions of things: plants, animals, books, films, toys and music to name a few.
Regarding pop music I heard a song the other day in a shop and I was entranced by it's tribal swaying beat. The song was one I'd heard before and sort of guessed at the artist, one Brian Ferry singing Don't Stop the Dance.
As I adore the tribal rhythms of Talking Head's glorious LP Remain in Light I wondered if Don't Stop the Dance was of a similar throbbing vein, but I was wrong.
Brian Ferry's Don't stop the Dance is a cornerstone of a pop sub-genre called Sophisti-Pop. From an LP I know nothing about called Boys and Girls, ex-Roxy Music's frontman Ferry appears to be the Soph-father of this particular 80's tributary.
Swaying, lazy jazz-pop with strong beats, Sophisti-pop was blended into the background of my Twenties, a more refined blend I largely heard but didn't take note of. With my head in studies and being a young Dad new music took a natural dive. Certainly contemporary music in the mainstream. I was still discovering older singers like Van Morrison, Peter Finger, Pat Methany, Joni Mitchell, along with my own rock LP collection, which moved round the country and Europe with me during that decade.
Now I'm 60 I'm fascinated by that background sound as me and the Missus were young parents in the 80's. First Punk, then New Wave and the New Romantics, with a peppering of Soul, Rockabilly, Ska and Reggae, the mainstream meandered around looking for smooth new flavours. Sophisti-pop appears to be one of those. Back then I may even have dismissed it as yuppie jazz. I was still in a local rock band in 1980, but time and tastes moves on.
It has some famous names, Sade being its Queen and Ferry the King. Simply Red's there too, along with the Style Council and the great Joe Jackson plus many more.
Having listened to many of this particular sub-division's entries this week there are for me a few stand-out tunes that make my neck-hair rise they're so damn good. Here are three sophisticated toons:
Its a Wonderful Life by Black, 1986: there is something simply haunting about this song, which I never ever tire of. A beautiful hymn written in Black's darkest personal period. A Liverpudlian, after his own private turmoil he wanted to be ironic with this tune but for me Wonderful Life is simply gorgeously optimistic. Watch it with the original video for added monotone atmosphere. Sadly Black was tragically died as a result of a car crash in 2016. Such a lost talent.
https://www.youtube.com/watch?v=u1ZoHfJZACA
Mary's Prayer by Danny Wilson, 1987: now this was a revelation. One of those catchy melodies echoing in my deep RAM and almost forgotten, I listened to it again and was knocked out. The sheer energy and verve of this band's performance demands respect and the song itself is quite magnificent. Soulful, sincere and heartfelt, it reminds me of the artistry of bands like Dexy's Midnight Runners and Hothouse Flowers. Looking like a gathering of Gene Vincent, Chris Isaacs, Vincent D'Onofrio and an unseen drummer, Danny Wilson, the name of this terrific Dundee band [and no-one in the grou], had sadly faded away by 1991. https://www.youtube.com/watch?v=7hqgC3W9GUI
Steppin' Out by Joe Jackson, 1982: a tune from an earlier year, Steppin' Out is a fast-paced, sharp, almost two-tone eulogy to the nightlife at the start of the Eighties. From Burton on Trent, Jackson's infectious voice and insistent beat make this a postcard for youth everywhere. His line "We are young but getting old before our time" holds the essence of being young, that fragile mayhem just before adulthood when it will all change. It may also be an early reference to the emergence of AIDS in New York City. However the optimism of its message, to step out into the city, reminds me of the jazz-frontiers of Donald Fagen's The Nightfly album from 1982. https://www.youtube.com/watch?v=PJwt2dxx9yg
Do you have a favourite sophisti-pop song?
Thursday, 22 July 2021
TRASH THE GUMBALL DRAGON
A friend of mine got the band 21 Pilot's new limited edition box set the other day. It includes a CD, stickers, a scarf, badges, a booklet and a miniature plastic blue dragon called Trash.
Their cool oriental graphic of Trash, no doubt inspired by Hokusai, recalled something else from my own monster-fueled childhood,
Wednesday, 26 May 2021
DID YOU RECORD THE CHARTS?
Reader EW recently mentioned his old mix tapes t'other day and it reminded me of making my own tapes back in the early Seventies on my rectangular cassette recorder, the ultimate tech of the day.
I taped from the radio using a mic set up in front of it. This way I recorded the Charts on a Sunday. I think they played the top 40 but I probably only taped the top twenty. Would that have fitted on a C60? I seem to recall having to turn the tape over at some point! How awkward and I bet you could hear it on the recording!
Did you record the pop charts onto cassettes readers? Anyone still got any?
Thursday, 7 January 2021
I'M FIGHTING THINGS I CANNOT SEE
Back in the mid 80's there were two American female singer songwriters and a British one who just blew me away. Being stuck at home again in Lockdown, I've been remembering them.
Suzanne Vega was a slow burner really; quietish Californian singing, no great wizz-bang; acoustic, melodic and intelligent. It was 1985 and as soon as I heard Marlena on the Wall I wuz hooked. Next came Luka and she lived on the second floor! Superb lyrics and sweet vocals of metropolitan life I imagined big city Twenty somethings had. I think me and the Missus got hold of her first eponymous album on tape and maybe the second, Solitude Standing. Alas, all these tapes have gone years ago and its just the faintest of memories I have now, of Suzanne's wistful talk-song with lines like 'I'm fighting things I cannot see' breezing over us when we were a very young married student couple with a baby girl, completely broke but happy as Lamb Chops on Shari's hands.
Around the same time in Britain a new voice arose called Sade. Sade was a singer-songwriter with a band named after her. Gorgeous, stunning, regal, I was in love with Sade as many people were. Her voice was sublime and soft, like baked camembert. Her debut single Smooth Operator knocked me out and again described a big city life of higher highs I couldn't imagine. Diamond Life continued the theme and cemented her voice as the sound of the late night metropolis. The missus and I bought the album. Yep, real vinyl. I think we still have it in the stack and I really ought to let Sade's silken breath take me away once again.
Last but by no means least came Traci Chapman in the late Eighties. Undoubtedly a genius, she was that rare thing; sincere, compelling and tapping into the Zeitgeist. When Fast Car came out me and the Missus, both flower teens of the Seventies, thought we were listening to a new Joni Mitchell, a guitar-playing minstrel for a new shaky decade. Fast Car was the opposite of Diamond Life. Broke, desperate youths wanting a way out, a sentiment we recognised , as if shot straight out of the Seventies. 'Any place is better' she sang. Yep, Traci struck a chord and her next single 'Talkin' bout a Revolution' sealed the deal. We were sold. 'Poor people gonna rise up and get their share'. We bought her first and number one LP and played it non-stop Christmas 1989, dancing round a rented house in Nefyn in our beloved Gwynedd. So long ago now, it really does 'sound like a whisper'.
Did you like any of these Eighties female singers readers or maybe some others?
Wednesday, 18 November 2020
HERE I LAY DREAMING LOOKING AT THE BRILLIANT SUN
I've been listening to Elliott Smith's album XO since it first came out in 1998. I bought it as a CD on Amazon in the days when folks bought CD's.
I've always adored XO. I used to play it most on the stereo in the kitchen diner we have, as I wrapped items for Ebay buyers during the winters of the new Millennium, along with other albums from indie artists and from my new musical love at the time, Grunge.
XO was and is a sparkling thing, like a glass herald walking in and starting to sing jewels. I was and still am entranced by the lush folds and beautiful layering that Elliott created as the century closed. Every song is special, sweet, unusual and mesmerising, like when you first heard Lionheart by Kate Bush 20 years earlier or the Beatle's White Album 10 years before that. Fresh, haunting, meaningful.
Listening again to it now in a format Elliott could never have experienced, on my laptop via You Tube with earphones, I'm taken back to those winter nights when I'd play XO, Natalie Marchant's Ophelia, Embrace's The Good Will Out and Pearl Jam's Ten one after the other, as I folded brown paper and bit sellotape into pieces and stuck them on the chair spindle. I was in my early Forties and really enjoyed my music again like I had in the early Seventies. XO holds a special place in that memory.
Five years after I bought XO Elliott Smith was dead. He died of stab wounds in his LA home in 2003 aged just 34. Somewhere I hope he lies dreaming looking at the brilliant sun he sung about.
You can listen to XO on You Tube if you want to too.
Saturday, 26 September 2020
MAISY
Maisy, one of Moonbase Junior's fave TV theme tunes on his car CD! It's a real hoot!
Sunday, 9 August 2020
THE MIGRATING BEAUTY
Wednesday, 20 May 2020
Space Elevator - Galifrey Dreams
Total Pageviews
Followers
MJ's BATMAN AND SUPERMAN SHORT ANIMATIONS
CHECKLISTS BY BRAND (FOR COUNTRY BY COUNTRY SEE TOP OF BLOG)
PROJECT SWORD SPACEX TIMELINE
- 1968 SPACEX LT10 CONCEPT
- 1966 SPACE GLIDER REAL THING
- 1969 LUNAR CLIMBER & MOONSHIP
- 1968 PROJECT SWORD ANNUAL
- 1968 TV21 #168 PROJECT SWORD PHASE 2
- 1968 PLEASURE CRUISER CONCEPT
- 1968 CENTURY 21 TOY MANUAL
- 1967 SCOUT 1 CONCEPT
- 1967 NUCLEAR FERRY TOY AD
- 1967 SWORD TOY AD
- 1967 SWORD TOY AD
- 1966 SPACE GLIDER CONCEPT
- 1966 HOVERTANK IN COMIC
- 1966 NUKE PULSE NEEDLEPROBE IN COMIC
- 1966 ZERO X FILM DEBUT
- 1966 MOONBUS IN COMIC
- 1966 SPACE PATROL 1
- 1966 P3 HELICOPTER IN COMIC
- 1966 SAND FLEA AND SNOW TRAIN
- 1966 MOBILE LAUNCH PAD IN COMIC
- 1965 SPACEX MOONBASE CONCEPT
- 1965 APOLLO FIRST UK TOY AD
- 1962 NOVA CONCEPT
- 1962 MOONBUS CONCEPT
- 1961 MOON PROSPECTOR CONCEPT
- 1953 MOLAB CONCEPT