Here’s some photos I’ve taken of the brand new electronic Alpha
Launch Pad and set of Micro Eagles which were recently released by
Sixteen 12 Collectables.
The Launch Pad
features original sound effects and dialogue from the series, landing
lights, and an electronic docking tube.
The operating
buttons are discreetly situated on top of the Flight Control Complex:
press ‘lights’ and the orange landing lights come on; press
‘sounds’ and you hear Commander Koenig barking out orders. Press
‘docking’ and the electronic docking tube slowly extends from the
travel tube terminal to the sound of (the Eagle’s) rocket motors.
As a point of
interest, the pre-production model included a fine rendition of the
Barry Gray Space:1999 theme but unfortunately, presumably due
to copyright issues, the finished Launch Pad doesn’t feature the
theme as part of the sound effects.
The Pad, which is
just over 11” (28cm) in circumference, also features a detailed
Service Platform extending at a right angle to the F.C.C.
The set comes with
it’s own exclusive 5” (128mm) detailed model of the white
transporter Eagle. This features aluminium engine bells and a
detachable Transporter Pod, plus a tiny in-scale Alpha Moonbuggy.
The original
pre-production Eagle models were slightly longer at around 51/2”
(14cm)
MORE MICRO EAGLES:
There are a further
four more separately sold Eagles in the set. Like the Eagle
Transporter each feature aluminium engine bells, detachable pod and
Alpha Moonbuggy.
The Rescue/Medical
Eagle:
The V.I.P. Eagle:
The
Laboratory/Survey Eagle: This comes with the additional spine
boosters which also features aluminium engine bells.
The Freighter/Winch
Eagle: Instead of a pod this model features a pallet with a stringed
magnet attached. The pallet can be loaded with either a (non-working)
winch motor, or six nuclear cannisters.
Overall, considering
their small size which takes account of some practical compromises
regarding the thickness of the framework, panelling and landing legs, all
these Eagle models/toys have some excellent detail, and far more than
the humble Konami, which is a similar size.
I couldn’t resist
trying to recreate that well known forced perspective special effects
shot.
My thanks to Steve
Walker and the Sixteen 12 team.