But one xmas a couple of years ago, Woodsy surprised me (yet again) with a gift of a small vinyl Martian, made bt the uber-talented Paul Kaiju. Paul makes vinyl monsters and all manner of weird creatures, but his little Quatermass Martian is just perfect. It arrived unpainted, in a pale green vinyl and I let it sit a while on my shelf, before I dared take a brush to it, as I didn't think I would be able to do it justice. However, the other day I got a bit braver than normal, fetched out a small tin of Humbrol Metallic Green and set to!
I've never had much luck with the metallic colours, due to the translucency of the paint, but in this instance, it worked well. I painted in all the creases and folds in the skin and carapace with a thin black paint pen, then lavished some green over the top. After that set, I added veins and surface detail with finer pen, dry brushed a little purple onto the carapace and dusted the eyes with a little silver. Another coat of metallic green and he was done!The Martian is as he appears in the film version, chiselled and insectile with a demonic pointed chin and sharp horns. The Tv version went for something a little softer, almost plantlike, with feathery antennae and armoured plates like a knight in armour.
The ship received different treatments too, my favourite must be the beetle-like film version, the truly alien black hull was unlike anything I had seen before and the slick organic shape really stood out against the grime and mud in the pit. The TV version went along the more thermos flask kind of shape, looking vaguely grub-like, but still recognisable as a rocket like device.
The Quatermass sequence has always amazed me with its narrative style and the various aliens, my very first viewing of the Quatermass Xperiment chilled me with such a primal fear as a ten year old, that it still has the capacity to frighten me even now. I can't for the life of me figure out how they did the final creature effect in the abbey, its not so much realistic, but truly alien - its impossible to fully comprehend the shape of the beast as it slithers across the scaffold and the brief glimpses of the creature on its eventual reveal are extremely well executed. Its let down slightly by the shuddering death throes as it is electrocuted, but even this is offset by its horrific warbling shriek as it expires. A film I still struggle to watch in the dark..
I am old enough to remember seeing all three TV versions of Quatermass and loved the Quatermass and the Pit story. London was full of unexploded bombs, still is, and the setting in an Underground station made it all too real. I do remember looking for Hobbs Lane on the Underground map and was disappointed at not finding it. It also was a little confusing that Professor Quatermass was a different actor each serial but the stories were great entertainment at a time when pretty much all viewers with a TV throughout the country saw it at the same time.
ReplyDeleteSuperb job Wote. Im sure Paul K would be thrilled to see your paint job. The Pit is also one of fave films and the hint of evil in the glowing locust head toward the end, the Martian devil, is really effective. I love how you've recreated the flimsy honeycomb! Fantastic! I wonder if anyone had ever made a kit of the alien craft?
ReplyDeleteHave to say Woodsy, the honeycomb is a film still!
Deleteha ha, really! I thought it was your toy!
DeleteGreat post, Bill. I'm also a fan of the Quatermass movies and TV series. Your bravery has certainly paid off with the Humbol Metallic. The end result is quite striking.
ReplyDeleteStill rate the TV Quatermass and the Pit very highly.
ReplyDeleteI find it amusing that writer Nigel Neale was married to Judith Kerr, the creator of the "Mog the Forgetful Cat" books. Couldn't be more of a contrast!
I like Mog Andy. very simple. My daughter did too and my Grandson. What a clever family, the Neale Kerrs!
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