You will all have seen the work of Chris Foss, his amazing paintings have decorated science fiction books since the late sixties. Asimov, Doc Smith, Vogt, Harryhausen have all had Foss paintings screaming out from the bookshelves and for many years, dictated which books I bought. Often, I would by a novel purely for the cover, often finding the story either dull or utterly different to what I anticipated. Foss's paintings sold me a real space opera, the likes of which would not appear till after the advent of Star Wars.
In 1978, Paper Tiger brought out a slim volume collecting Chris Foss work and I bought a copy with my college grant - £4.75! I adored the work and desperately wanted to paint like this, even investing in an airbrush. But to no avail, I could not begin to approach the imagination of technique of the master.
This xmas I got a new definitive collection of his work, a much bigger, heavier volume collecting all his published work and some sketchbook material. I think he has passed his peak today, as the later paintings are not nearly as dramatic and unusual as his seventies work, but he has influenced many generations and been imitated many times.
Woodsys Tootsie Rocket post has header cards showing art which is clearly derived from Foss, namely a sketch of the Leviathan from an early Alien script and part of a triptych of James Blush covers, called Torrent of Faces.
The colouring owes something to the Ian Gillan Band cover - Clean Air Turbulence.