Monday, 29 February 2016

OUR OLD BATHROOM

Our old bathroom will have seemed cutting edge at the time. A heady mixture of plastic, porcelain and rubber. Looking back now it seems like a wet room in a Victorian madhouse.

The fun started outside the door as you had to plan ahead in those long gone days of the Sixties. if you wanted a bath [showers didn't exist] then you had to flick the switch of something quite Lovecraftian at least an hour before you wanted it and then let everyone know it was 'your' water heating up. This strange thing was called an immersion heater and it took years before I could spell it.

The immersion heater was basically the element in a huge kettle known as the boiler, which was hidden in the lower deck of the airing cupboard. On switching it on in what was always a boxy white unit made of bakelite, a red light would come on and proclaim that someone was mucky enough to need a bath. A bit like an On Air sign at a radio station, this sign on the landing said Unclean.

After an hour had passed and you' d prevented your entire family from using 'your' hot water you could visit the rarefied confines of the bathroom proper. On entering in winter, rather like an Eskimo would enter an igloo, you had to perform the second of the switching-on ceremonies, namely, turning on the bar heater.

The bar heater was a cigar-shaped metal power station screwed to the highest point of the wall on the opposite side to the bath. It was essentially two six feet long electrical rods in front of a chrome fender. To switch this fast breeder on you pulled a long knotted string dangl,ing from it. If you were lucky, the string wouldn't fly upwards, land on the rods and set alight. 

After hearing the pulled string give a satisfying click, the elements would begin to glow red like fuel rods. Sun-like heat would bounce off the chrome into the room. It got so hot and steamy that vines grew from the ceiling and monkeys passed through in troops. Electric heaters and bathrooms don't really mix but thankfully I'm still here to tell the tale.

The next job was running the bath. Now baths back then were huge plastic olive-green tanks taken straight from the set of James Whale's Frankenstein. It took a million gallons of hot corporation pop to fill them and they were so deep that if you slid to the bottom and came up you got the bends.

The taps were huge, bulbous, silver or brass and turning them on with the two massive squeaking screw heads was like opening the Thames Barrier. They sent two vertical waterfalls of splurging, frothy, maddened water into the waiting depths. The two falls shot straight down as there were no fancy angles on these bad boys. It was at this point that I usually realised I'd forgotten to jam the rubber stopper into the plughole. Finding it was easy though as it was chained between the taps like Marley's Ghost.

Getting into a laboratory tank full of steaming water wasn't easy. The drop was sheer and the temperature might melt skin and bone on contact. It had to be done slowly and you eased down gently as a deep-sea diver might enter the Mariana Trench.

Once comfortably boiled pink like a lobster you could turn your attention to the job in hand: playing in the bath and as a by-product, getting clean. My own bath-time toys were piled up in one of the damp corners, a no- mans-land of scum and slime similar to a petri dish left out for a year. 

My toys comprised of anything that was technically at home in the water. First off the plank was the Action Man deep-sea diver complete with lead boots and red hazard buoy. Next in was his arch-enemy, the Great White Rubber Shark, with an open mouth big enough to keep a bar of Imperial Leather in, no problem. Various plastic boats followed, together with further personnel in the form of Billy Blastoff and a reluctant Callisto. A rubber ducky usually flew in as well.

All the cleaning utensils were handily stored on a plastic bath tidy spanning the steaming tank like the Golden Gate Bridge. On it was everything a boy needed to descale, delouse and demuck: coal tar soap, a timber scrubbing brush, a nylon nail brush, a pumice stone, which I think was actually a creature that had died there and fossilized and a mildewed flannel [yuk!]

Two species of bath-life were uniquely indigenous to Sixties' bathrooms: the pink sponge and the loofer. The loofer, in particular, defied scientific classification and its true origin and purpose remain a mystery to this day. My young mind boggled when staring into its squelchy chambers; the love-child of a string vest and a cucumber, where or what was I supposed to clean with a wet loofer? Baffled, I could never let it go.

Yet all of these utensils paled when compared to what sat coiled at the bath edge; a resting octopus of rubber and plastic, a slumbering Kraken of grips and pipes; yes, it was the flexible mixing hose used to wash your hair. So primitive yet miraculously practical was this contraption that it can still be found on Ebay under retro rubber AND modern hair care. Attaching the open ends was like feeding taps to pythons; only with great effort would I couple the rubber to the metal.

Washing your hair was no easy feat either. You had to move the bath tidy, shuffle closer to the tap end and manhandle the plastic shower head attached to the rubber tubing. Imagine waltzing with a plumber's whippet and you're close: this was extreme showering, since mixing the right amount of hot and cold water was as tricky as divination. A slip-up with the taps would lead to an icy dousing or a lava shower. Once perfected though, you could rinse your mop to your heart's content, as well as yodel into Neptune's microphone like Johnny Weissmuller.

Cleaning agents came in two forms: Matey bubble bath and medicated Vosene. Matey was shaped like a sailor and always made bath-time a fun voyage to the top ports of the world. Made of pines, Vosene brought you back down to earth with a squelch and a whimper. Patented by Quatermass in secret silos, it smelt of labs, redefined the colour green and could reduce grown men to sobbing wimps. Vosene was lethal.

Light relief was provided by soap on a rope. Dangled round a tap like a macho medallion, the soap was usually a classic car on the end of a manky yellowing string. If you were lucky the car was a sleek Jaguar E-Type, which glided through your hands like Lurpak. If you were unlucky the car would be a Model T Ford. Impossible to hold, it had more angles than a rhombo-trapezoid-parallelogram and generated just enough lather to wash a shrew.

Once mateyed, vosened and roped, it was time once more to leave your toys in Davey Jones's Locker and exit the tank. Immediately on standing, the near-nuclear warmth given off by the two bar wall heater would dry you in an instant. With the slight whiff of singed head hair, I would deftly drape a large course white towel, pilfered from Pontins, around my shoulders like Batman.

And so, clean, fresh and boiled alive, with my towel cape, I would face the world with renewed vigour smelling of pine needles with a loofer gripped tightly in my hand. My name was Shanks. Armitage Shanks.

What were your childhood bathroom and bath-time like readers?

AOSHIMA UFO MOONBASE

As I enjoyed building my large Imai Zero X kit a few weeks ago, I thought I’d have a crack at putting the Aoshima UFO Moonbase together.


As many of you will know this particular kit was released in October 2002 and is one of several re-issues of an earlier Imai kit apparently originally called a UFO Secret Doom Centre which I'm assuming appeared at some point during the seventies.


Several variations of the Imai kit, which have been talked about on the blog many times were also released featuring some of the vehicles, two or more of the five spheres’, a couple of corridors, with one having supporting legs and a flip up door at the end. The legs and doors are included in the reissued kit, along with some other surplus parts; however they are naturally excluded from the construction. 


While it’s quite a detailed kit, the downside is its gimmicks and less than accurate look. As with a lot of Japanese kits it has to have play value. These involve a spring –loaded missile in each of the linking corridors’ which are raised by turning a large imposing wheel connected to a gear cog on the side. Although I have installed the launch mechanisms inside, I left the wheels off as I thought they looked awful.


The Central Park has a sliding platform, which incorporates an elastic band powered launcher. This is covered by a flip-over clear plastic dome. A nice touch, but totally inaccurate.



The Lunar Shuttle launch gantry is also spring loaded, so you can easily lose the tiny Shuttle that comes with the kit.


Each of the five spheres has a flick down door which can house some of the little models that come with kit.


It’s a shame that the model’s look is altered by these gimmicks as I imagine it could look fairly accurate without them, even though its more a variation on a theme . I've seen several attempts by fans to convert this kit making it look more like it was in the TV series, some more successful than others. 


Generally, I prefer to stick to with what’s on offer and just tweak a few things here and there to get them how I want them.


Overall, it’s a pleasing kit, simple to build, but quite fiddly as there’s a lot of small parts, plus as there’s five spheres and linking corridors it can seem a bit repetitive.  

MYSTERY SPACE TOYS


These two vehicles on this Warriors of the Galaxy fantasy box art remind me of other toys but I can't think what. Can you readers?

Here's another one of those spaceships - the white one - on the Space Explorers set


Sunday, 28 February 2016

Toy Spotter

Following Woodstocks query about whats visible in the ITN toy shop footage, I had another look and grabbed a couple of frames. First up, the later still seems to show a range of Telsalda or Lucky toy trucks including the cement tanker and distinctive yellow Shell one. The tow truck looks familiar, but I cant place it exactly. Apart from the aqua car and some nice fire tenders, I cant see anything else unusual.

The wonderful SWORD still however, is a different matter. Behind the girl in the pink two piece at the back are some toys and information pasted on the wall.

At the left top seems to be an image of Roll Out, or at least the Canaveral box art. Next to it, down the middle are three intruiging things which I cant make out, but could be carded toys. On the far right is what may be a large b/w poster of the Scarlet SPC and there's a large Captain Scarlet display just behind her too.


The other thing that occurs to me are the Dymo type labels stuck to the moonbus and glider, serial no's? prices? 'Display only'? The mind boggles!

And another thing! Typically, now I start looking I see all sorts. Before the girl runs Zero X across the front of the counter, there is another toy which gets moved to make room, looks like an army truck with rockets, or is that just me ?

A SNOW BEAST ATE MY VIDEO

I'm currently watching a film called Snow Beast on the Horror Channel.

Snow Beasts have a long and dignified history in popular culture. From the classic Abominable Snowman black and white original with Peter Cushing, the Yeti has been a staple of popular culture.

In my bookshelf is a well-thumbed copy of Snow Man by Norman Bogner, one of those iconic New English Library paperbacks made for a summer holiday read. My copy is from 1979 like the one pictured but I think it was first published in 1977, a good year for Yeti's.

[pic: nastynels]

Snowbeast is also from 1977 and is a horror flick, which for a time in the 1980's courted the video nasties when Vipco released it on VHS. Its not a nasty at all and with the likes of Clint Walker and Bo Svenson and some decent sets is very watchable. I last saw it on You Tube and with its large number of extras in the film's ski resort it reminded me of other holiday disaster films like Piranha and Jaws.


A much less able affair is the Snow Beast movie I'm currently viewing on telly. From 2011, it has a cast of about five, three of whom are on the DVD cover [the beast ate the other and it makes five] who appear to sit around drinking coffee or driving SUV's most of the time. Avoidable.


Grab a coffee and watch the 1977 movie or read the NEL paperback.

Have you any Yeti's in the closet readers?

*

ABOMINABLE TOYS

Brian's recommendation of this cool looking modern Yeti Playset by Animal Planet has prompted me to list a few Yeti toys.


Maybe the mother of all vintage Yeti toys, here's the Marx original from 1963


and video footage by Big Al of it on the Tube. Be warned, the mechanical Wampa shrieking is really unpleasant! 


Then of course there is that rarity amongst Sasquatches, the Mego Six Million Dollar Man Big Foot as covered on the US TV show Toy Hunter

There's also this 7m video on the Tube explaining the ins and outs of it as a collectable:


Although I don't own one, my own personal favourite, is this, the Snow Man from the legendary Tomland line of Monsters. He has to be the most handsome of all Yetis!


There are lots more Abominable Snowmen toys: Matchbox, GI Joe and so on. Anyone got any?

LP DEEP SEA DIVER

Eagled eyed Arto recently spotted this red LP figure of the deep sea diving persuasion. I've never seen one in the flesh but have seen them listed on the Bay in France years ago as Plongeurs.

Any more divers out there?


Saturday, 27 February 2016

ROB T'S MARVELOUS MARVEL COLLECTION

Hi Woodsy, saw your Blog post Today..so I've attached a couple of pics of my comics and Superhero stuff..its all i collect now (and its enough!).
Loving the Blog, 
Rob T

WHICH VINTAGE TOYS CAN YOU SPOT IN THIS FILM CLIP?

These are some of the toys I've recognised in the ITNSource clip I posted  a week ago:


Century 21 Toys Project SWORD:

White Nuclear Ferry [first ever sighting]
Scout 1
Scout 2
Scout 3 [I think]
Moon Ranger
Moon Bus
Moon Prospector 
Probe Force 1
Task Force 3 
Scramble Bug  
Apollo Saturn  
Dyna Soar
Zero X
Booster Rocket 
Space Glider

more?

Others:

2001 A Space Odyssey background [ship?]

On the wall, JR21 Captain Scarlet carded guns, 
Project SWORD Cape Kennedy Box top

Redbox boxed Space Action Astronaut figure:


T in a Circle Amphibious Car:


Boxed helicopter - make?

What else can you see readers?

I WAS IN LOVE WITH VELMA DINKLEY

It's odd when you fancy a cartoon character. In the Sixties we had quite a few animated ladies to spice up our chicken-pox-infested infant lives.

Don't get me wrong, there were plenty of real girls on the telly - Ayshea, Gay Ellis, Pan's People - but these were the fantasies of older boys and off-limits to the socks and shorts crowd I was in.

Young whipper snappers under the age of 10 got their kicks from cartoons and puppet shows. These aired schooldays from 5pm [or was it 4?] and Saturdays at 9am [or was it 8?] when childrens' TV started on our 3 [definitely 3] channels, which were black and white up to 1966 [or was it 7?]

For many young 'uns, Stingray's Marina will have been the focus of their tea-time attentions. Strangely silent and able to breathe in the bath, she was in effect, a mermaid, which, let's face it, is pretty darn appealing to most boys. Troy Tempest beat us all to it though and despite trying in the bath with the rubber shower head, none of us could sing Aqua Marina quite like her Troy-friend.

Lady Penelope of Thunderbirds brought upper-class lip-synch to the schedules and probably had the most alluring of all the lady puppet voices. I dreamt of owning a Fairylite Lady Penelope Doll as a kid but Parker, her chauffeur, was all I got. I had to endure him driving her round and serving her tea every week, the cockney devil!

Cartoon crushes didn't come from our shores, however, but from America. Penelope Pitstop had the drawl and the curls and Josie and the Pussycats had the songs and the girls. 

Yes, Hanna-Barbera, those Einsteins of animation, created a whole universe of animated girlfriends, who we could be with every week, no strings attached. It didn't matter that they were just flicker-books. We were in love.

But the greatest love of all was reserved for someone else, a bespectacled sleuth foreshadowing my own life with jam-jar glasses a few years later. Her thick turtle-neck jumper just added to her nerdy charm.

I am of course referring to Velma off Scooby Doo, the number one reason for putting up with the annoying perfection of perfectly perfect Fred every week. Thank God he was only interested in Daphne. 

Velma Dinkley was the original cartoon geek. If she had been Lady Penelope it would have read "Glasses, Sweater and Deadly Intellect". Yes, Velma was a nerdy boy's dream date and I often wished that I was the werewolf or the pirate's ghost charging after her. I would have always found her glasses for her or offered her mine before heading off together to discuss the finer points of lycanthropy under a full moon.

Scooby Doo, where are yooooooooooooooooooooooooooooou!

So, readers which TV character, cartoon or otherwise, did you have a crush on?

SAT ON MY FACE LIKE A PLASTIC GARGOYLE

Like a class with two unruly pupils, my eyes began to let me down when I was 13. That's when I started wearing glasses for my short sight.

I've worn them ever since and even now as I type they are sat, like a constant bystander watching the traffic, on the bridge of my nose. They are the original face-hugger.

Of course they aren't the same glasses I had in my young teens. They were prescription specs made of thick black plastic. Very plain. Very simple. I blame Joe 90 and those crew-cut guys at NASA who always wore short sleeve white shirts and black ties and had hairy tanned arms..

I haven't always worn Joe 90 glasses though. Like a barometer of mood, my gigs have reflected my disposition and how I saw the world. They have also deflected every insult that non-bespectacled folk could invent: speccy, Mr. Magoo, swat, bookworm and that most original of all slurs, speccy four eyes.

As a young hippy I wore John Lennon penny rounds. I went through quite a few pairs of these, all different sizes of penny. They were either silver or gold in colour. They were all from opticians and all had springy ear hooks. For a while I was the fifth Beatle. I bet you can't get them now.

I did go through a phase of huge egg-shaped specs too. They were called reactalights and were supposed to darken as the sun came out. They were a huge hit with vampires.

Glasses and girls never really went together. They get in the way of snogging and let's face it, who wants to go out with a 14 year old Professor of Astronomy.

I once bought a pair of CHiPS style metallic mirror-finish glasses from a garage. You know, like the cool kids, for the summer. They did look Hollywood and I did book a few speeding Mustang drivers but without my prescription they were nigh on useless. I would have to wait decades before I had prescription sunglasses, a revelation so astounding that I have named them the single most most important human achievement in history. I did go to Specsavers.

Forty two years and twenty odd pairs of specs later I have come full circle. My thick plain black glasses are more or less what I wore when I first set out on this blurry journey to find the focal point. Now they have invisible split lenses and I have another darker pair for the summer. I still blame Joe 90 and those guys at NASA.

Have you made a spectacle of yourself readers?

NEW ZEROID TOYS

Toyfinity have informed me that a new range of mini Zeroids are coming out soon. Check out this link, New Zeroids.

Friday, 26 February 2016

THE GREAT WHITE NUCLEAR FERRY MYSTERY

The white Nuclear Ferry seen at the start of the ITN film blogged recently is fascinating and its totally taxing the brains of SWORDnuts like Arto and me.

Why white when the handful of toys we know of in private collections are all blue?

A pre-production sample? A prototype?

White does make a lot of sense though! Virtually every Ferry ever illustrated - see below - appear to be white [except the SpaceX miniature]. The original Bob McCall  illustrations in LIFE magazine and Look and Learn Comic are all white!


Most importantly, the original 1963 painting by Bob McCall, Earth to Moon Shuttle, shows a white Nuclear Ferry, where it hangs in the collection of the University of Arizona Museum of Art - look here.

Similarly, the box art and Official Manual released with the 1967 Nuclear Ferry toy by Century 21 Toys both show a white Ferry.


So why the last minute change to a blue toy?

Was it to tie in with the blue Zero-X and the blue Dyna-Soar?

Was there excess blue plastic from the above that needed using?

What do you think?

*

PS. Bill made this uber-cool white Nuclear Ferry model, which we blogged in 2008!


WONDER WOMAN'S TRANSPARENT FUSELAGE

Just watching the bodacious Linda Carter in Wonder Woman on the Horror Channel. Seeing it reminded me of how much I loved Super Heroes on TV and in comics as a kid. One of my prize possessions was the Fantastic Annual 1968 with the Mighty Thor and his hammer on the cover.

Its odd though. I didn't really have many Super Hero toys as a kid in the Sixties. I only really got to see and handle vintage Super Hero toys much later when I was an adult, as a collector and a toy dealer. In the Nineties and Noughties I grew to appreciate the smooth lines of the Secret Wars figure line and the sheer comprehensiveness of the Super Powers and Marvel Super Heroes ranges.

In order to recognise these toys I bought Tomart's Action Figure Digest regularly and bought a whole fist full of books, many of which I still have.

Watching Linda Carter again  also reminded me that there was one toy I never got to handle, although I saw it, which is strange in itself. I'm talking about Wonder Woman's Invisible Jet by Mego as part of their 1976 Comic Action Heroes line. A bit Probe Force 3-like, the jet was an ultra sleek rocket plane made of see-through plastic, the ultimate stealth craft.

Have you been lucky enough to own one readers? Any chance of a photo for the blog? And do you collect Super Hero stuff?

SUPER POSTSCRIPT

Hi Woodsy,
            I'm sorry I don't have any pics of the Mego Wonder Woman Invisible Jet. I have been a life long fan of superheroes though. 
My childhood fave being the silver age Captain America. 

I've attached two pics which you're welcome to add to the blog if you wish. Pic one - my early attempt to draw Cap and Thor (age 10). They're now framed behind glass - a reminder of wonderful times.  

Pic two - the spirit of Cap still burns bright in our my home. 

I'm blessed with an exceedingly tolerant Mrs. K!

Regards, Tony K

HAMLEY'S BALL BAZOOKA AD

Hi Woodsy 

Only an image I'm afraid, but I know you've been blogging this bazooka while I've been off-line...from Meccano magazine May 1961.


Best

Hugh

Thursday, 25 February 2016

Ervino's Bandai/Mega-Bloks Thunderbirds Lego-like Sets



Hi Woodsy!
As promised in my comment at the Imai UFO Moon Base entry in your blog, here is a contribution for you, if you will find it interesting... 

Some years ago (I believe around 2010...) Bandai Mega Bloks produced, I think for the Japanese market only, three sets dedicated to Thunderbirds. They are occasionally still findable on eBay and similar sites for affordable sums (around 30 £/$/€ each).

The "look & feel" of these sets is of the "super-deformed" toys style persuasion, so your liking of them may vary... :-)

Anyway, attached are some photos of my sets.

My apologies if TB 2 diorama is lacking two palm fronds, but they should have been blasted off in one of the vehicles' take-off.

Or , more realistically, one of my cats stole them... :-D

Cheers

Ervino

Wednesday, 24 February 2016

PROBE FORCE MIG 21



As soon as I saw this MiG 21 model online I thought - I recognise those two horizontal tail fins!


They totally remind me of the vertical tail stabalizer on the Project SWORD Probe Force 1.


It got me thinking, could the MiG 21 tail fins be decent replacements for the PF1 tail fin?

Comparing the parts from a modern MiG kit, here is a comparison [not to scale]. 


Has anyone got both so we can see a photograph of both craft together?

WHAT'S NEW?

What's new in your collection readers? A new toy? A new comic? A new DVD?

My collecting has slowed to a snail's pace but I did receive this lovely lenticular postcard depicting the front of the Project SWORD Cape Kennedy Set [thanks Arto!]. Its the picture to the left. The right picture is the SWORD Cape set box art. Gorgeous model on the postcard!!


POST SCRIPT:

Tony K's new Sky Ray Moon Fleet Badge!

KEVIN'S NEW RAY GUN


Hi Woodsy.

Thought you might be interested in my latest acquisition. When I was a kid, I only had two space guns (whereas now I've got loads, including two screen-used props!), the Dan Dare Sonic Pistol and this one (no idea what it is called). Anyway, saw this on ebay and just had to get it! It still works too. (Sadly my hand doesn't fit in it anymore!).

Armoury complete.

Take care,

Kevin

Tuesday, 23 February 2016

B-MOVIE HOMEWORK

I'm going through a phase of catching up on 1950's and 60's B-Movies I've never seen. There are loads on You Tube. Last week I saw Earth Verses The Spider and last night I saw Target Earth.

Which B-movies would you recommend readers?

*

Reader Rob T. recommends:

The Strange world of Planet X
The Night Caller
Invasion
Unearthly Stranger
Prey
The Vulture
The Man From Planet X

VINTAGE TOYS OF ITALY INCLUDING MAJOR MATT MASON

Check out this fascinating glimpse into vintage Italian toys. There is a brilliant set of Major Matt Mason toys and club papers and lots of spy toys. Be warned, there are also lots of vintage toy guns.

Monday, 22 February 2016

OUR OLD GARDEN HOPPING MISSIONS

For us kids back in the Sixties, garden hopping was the equivalent of black ops. Requiring the most cunning of skills and hair-trigger senses, I'm surprised we weren't all recruited by the Green Berets!

Essentially garden hopping was the planned incursion into neighbours' grounds or put another way, walking voluntarily across enemy lines like suckers. Without the benefit of covert halo drops we had to rely on our nimble legs and sheer infant stealth to take us across the most herbaceous of borders.

Most garden hops took place at night under the cover of darkness [daylight missions were only dreamt of]. It was also a group activity, a bit like monopoly with torches. Usually we would plan a route, starting in my garden and ending at a specific destination several gardens away, considering all the possible hazards in what would now be called a risk assessment. We were ahead of our time and at the cutting edge of guerrilla tactics. 

Chief among the risks was detection by the human enemy and their quadrupedals: dogs and cats, with the occasional ambush by avian agents and in particular patriotic geese. Other hostiles included milk bottles, garden chairs, gnomes [especially those gone fishing], deck chairs, plastic animals, sun dials, bird baths, dustbins [the metal ones] and rakes.

Rakes were the landmines of suburbia, completely invisible in the dark and if positioned correctly, utterly devastating on facial impact. Similarly, empty glass milk bottles left out loose for the milkman were the equivalent of nuclear strike sirens in the days before anyone had burglar alarms. 

Touching one bottle would set off a chain reaction sending all of them spinning and gyrating like waltzers. If we'd been champion ten-pin bowlers we couldn't have done any better. The clinking vessels would whirl furiously like break-dancers, the 'Leave an extra Pinta' note flying through the air like a coded message and the hollow tinkling racket waking every canine operative in the street!

It was usually at this point that the enemy searchlights were switched on and trained into the garden as the householders turned the outside lamp on. This was the most heart-stopping of experiences, easily worse than your Aunty hugging you at weddings and the Def Con 1 moment of garden hopping.

Should we have been lucky enough to have actually dodged all these obstacles and come through the first garden unscathed we then commenced phase 2 of the operation, a white knuckle, hyper-ventilated creep across the party boundary.

Usually it was our special kit which came into its own at this dangerous stage: gloves. We wore gloves to limbo under fences or bulldoze through gaps in hedges. When the Kung Fu craze hit in the early Seventies we progressed to the secret moves of the deadly Ninja and boosted our black bags with torches, short poles, small rugs and garden shears. We stopped short at grappling hooks but we did black our faces and wear dark clothes and woolen hats. We were the the Ronin of the rockeries.

Once across several lawns and at the chosen end-point their began probably the most sphincter-loosening part of the whole mission: getting past the last house and out out onto the street. Sometimes this was my own and sometimes, if we had crossed back-to-back gardens, it was the opposite street, where we would be less recognisable under the jaundiced glow of the road lamps.

With a fair wind, sleeping dogs and milk bottles conveniently caged in special baskets, we would slip down the side of the last house, the last house on the left and smell the sweet perfume of freedom and a mission almost accomplished. Once home, we would each celebrate sharing a pint bottle of cold milk from the fridge, savouring the creamy pride only felt by members of the world's commando elite.

Yes, back then, we were the undisputed, milk-tashed Kings of garden hopping in our street. Were you readers?

OUT THERE WITH BETTY CARTER'S TOY ROCKET?


Over on LPCoverLover.com they have loads of old space related album covers. This one caught my eye. Is that a toy rocket under that Sputnik?